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Opis

In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's "Critique of Judgment". Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the gendering and engendering of the sublime.

Szczegóły książki

Kategoria Książki po angielsku The arts Photography & photographs Individual photographers

• Pełny tytuł: Francesca Woodman and the Kantian Sublime
• Autor: Claire Raymond
• Język: Angielski
• Oprawa: Twarda
• Liczba stron: 186
• EAN: 9780754663447
• ISBN: 0754663442
• ID: 04680772
• Wydawca: Taylor & Francis Ltd
• Waga: 548 g
• Wymiary: 240 × 160 × 17 mm
• Data wydania: 28. October 2010

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