Code: 04870290
Romanticism has traditionally excluded or undervalued the work of popular women writers, narrative poetry, the novel, most of contemporary journalism, and the decorative arts. As a result, issues of the marketplace, class, and com ... more
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Romanticism has traditionally excluded or undervalued the work of popular women writers, narrative poetry, the novel, most of contemporary journalism, and the decorative arts. As a result, issues of the marketplace, class, and competing cultural discourses have been easier to ignore. The essays in this collection question romanticism's suppression of the feminine, the material, and the collective, and its opposition to readings centering on these concerns. In their inquiries, the contributors consider authors as diverse as Felicia Hemans, Ann Yearsley, Byron, William and Sarah Hazlitt, Walter Scott, Samuel Rogers, and Robert Southey. Here, a number of influential critics - including Kurt Heinzelman, Sonia Hofkosh, Anne Janowitz, Marjorie Levinson, and Peter T. Murphy - map these previously neglected territories, articulating a series of surprising and refreshing arguments that redefine the borders of romanticism.
Book category Books in English The arts History of art / art & design styles History of art & design styles: c 1800 to c 1900
28.14 €
Collection points Bratislava a 2642 dalších
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