Mohlo by sa vám tiež páčiť

Viac informácií o knihe German Symphony between Beethoven and Brahms

• Parametre knihy
• Anotácia kniha
• Obľúbené z iného súdka

Nákupom získate 570 bodov

Anotácia knihy

It was Carl Dahlhaus who coined the phrase a "dead timea (TM) to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethovena (TM)s ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductora (TM)s intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music.

Parametre knihy

Zaradenie knihy Knihy po anglicky The arts Music Music: styles & genres

• Celý názov: German Symphony between Beethoven and Brahms
• Podnázov: The Fall and Rise of a Genre
• Autor: Christopher Fifield
• Jazyk: Angličtina
• Väzba: Pevná
• Počet strán: 330
• EAN: 9781409452881
• ISBN: 1409452883
• ID: 09238663
• Nakladateľ: Taylor & Francis Ltd
• Hmotnosť: 774 g
• Rozmery: 220 × 242 × 30 mm
• Dátum vydania: 28. March 2015

Obľúbené z iného súdka

---

---

---