Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath / Najlacnejšie knihy
Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath

Kód: 04680174

Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath

Autor Claire Raymond

This provocative book posits a new theory of women's writing characterized by what Claire Raymond calls 'the posthumous voice.' This suggestive term evokes the way that women's writing both forefronts and hides the author's implie ... celý popis

241.38


U vydavateľa na objednávku
Odosielame za 17 - 26 dní
Pridať medzi želanie

Mohlo by sa vám tiež páčiť

Darčekový poukaz: Radosť zaručená
  1. Darujte poukaz v ľubovoľnej hodnote, a my sa postaráme o zvyšok.
  2. Poukaz sa vzťahuje na všetky produkty v našej ponuke.
  3. Elektronický poukaz si vytlačíte z e-mailu a môžete ho ihneď darovať.
  4. Platnosť poukazu je 12 mesiacov od dátumu vystavenia.

Objednať darčekový poukazViac informácií

Viac informácií o knihe Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath

Nákupom získate 595 bodov

Anotácia knihy

This provocative book posits a new theory of women's writing characterized by what Claire Raymond calls 'the posthumous voice.' This suggestive term evokes the way that women's writing both forefronts and hides the author's implied body within and behind the written work. Tracing the use of the disembodied posthumous voice in fiction and poetry by Mary Shelley, Emily Bronte, Emily Dickinson, and Sylvia Plath, Raymond's study sounds out the ways that the trope of the posthumous voice succeeds in negotiating the difficult cultural space between the concept of woman's body and the production of canonical literature. Arguing that the nineteenth-century cult of mourning opens to women's writing the possibility of a post-Romantic 'self-elegy,' Raymond explores how the woman writer's appropriation and alteration of elegiac conventions signifies and revises her disrupted relationship to audience. Theorizing the posthumous voice as a gesture by which the woman writer claims, and in some cases gains, canonicity, Raymond contends that the elegy posed as if written by a dead woman for herself both describes and subverts the woman writer's secondary status in the English canon. For the woman writer, the self-elegy permits access to a topos central to canonical literature, with the implementation of the trope of the posthumous voice marking a crucial site of woman's interaction with the English canon.

Parametre knihy

Zaradenie knihy Knihy po anglicky Society & social sciences Society & culture: general Social groups

241.38



Osobný odber Bratislava a 2642 dalších

Copyright ©2008-24 najlacnejsie-knihy.sk Všetky práva vyhradenéSúkromieCookies


Môj účet: Prihlásiť sa
Všetky knihy sveta na jednom mieste. Navyše za skvelé ceny.

Nákupný košík ( prázdny )

Vyzdvihnutie v Zásielkovni
zadarmo nad 59,99 €.

Nachádzate sa: