Segregating Sound / Najlacnejšie knihy
Segregating Sound

Kód: 04939143

Segregating Sound

Autor Karl Miller

In "Segregating Sound", Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern American music bear little relation to the ways that southerners long heard and played music. Focusing ... celý popis

35.53

Bežne: 39.54 €

Ušetríte 4.01 €


Skladom u dodávateľa v malom množstve
Odosielame za 14 - 18 dní

Potrebujete viac kusov?Ak máte záujem o viac kusov, preverte, prosím, najprv dostupnosť titulu na našej zákazníckej podpore.


Pridať medzi želanie

Mohlo by sa vám tiež páčiť

Darčekový poukaz: Radosť zaručená
  1. Darujte poukaz v ľubovoľnej hodnote, a my sa postaráme o zvyšok.
  2. Poukaz sa vzťahuje na všetky produkty v našej ponuke.
  3. Elektronický poukaz si vytlačíte z e-mailu a môžete ho ihneď darovať.
  4. Platnosť poukazu je 12 mesiacov od dátumu vystavenia.

Objednať darčekový poukazViac informácií

Viac informácií o knihe Segregating Sound

Nákupom získate 88 bodov

Anotácia knihy

In "Segregating Sound", Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern American music bear little relation to the ways that southerners long heard and played music. Focusing on the late nineteenth century and the early twentieth, he chronicles how southern music, a fluid complex of sounds and styles in practice, was reduced to a series of distinct genres associated with particular racial and ethnic identities. The blues were African American. Rural white southerners played what came to be called country music. By the 1920s, these depictions were touted in folk song collections and the catalogues of 'race' and 'hillbilly' records produced by the phonograph industry. Such simple links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a 'musical colour line', a cultural parallel to the physical colour line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies who sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the deep history of human civilization. Contending that people's musical worlds were defined less by who they were than by the music that they heard, Miller challenges basic assumptions about the relation of race, music, and the market.

Parametre knihy

Zaradenie knihy Knihy po anglicky The arts Music Music: styles & genres

35.53

Obľúbené z iného súdka



Osobný odber Bratislava a 2642 dalších

Copyright ©2008-24 najlacnejsie-knihy.sk Všetky práva vyhradenéSúkromieCookies


Môj účet: Prihlásiť sa
Všetky knihy sveta na jednom mieste. Navyše za skvelé ceny.

Nákupný košík ( prázdny )

Vyzdvihnutie v Zásielkovni
zadarmo nad 59,99 €.

Nachádzate sa: