Code: 54320154
Melodrama is often faulted for granting visibility while withholding it at the same time. Manuel Vogelsang argues that American writers and artists turned this double bind into a method for constructing a usable past. Spanning two ... more
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Book synopsis
Melodrama is often faulted for granting visibility while withholding it at the same time. Manuel Vogelsang argues that American writers and artists turned this double bind into a method for constructing a usable past. Spanning two centuries of literature, film, and photography, from Poe and Hawthorne to Willa Cather, Terrence Malick, Todd Haynes, and John Dugdale, he reads self-reflexive melodrama as a theory of the archive. He shows how the dispossession of Indigenous peoples and the erasure of queer lives are enacted formally as well as physically - and how artists have turned these strategies against their oppressors.
Book details
44.88 €
EnglishOsobný odber Bratislava a 13628 dalších
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