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Ariela Freedman argues that the figure of the dead man becomes a locus of attention & a symptom of crisis in British writing of the early 20th century. While Victorian writers used dying women to dramatise aesthetic, structural & ... celý popis
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Ariela Freedman argues that the figure of the dead man becomes a locus of attention & a symptom of crisis in British writing of the early 20th century. While Victorian writers used dying women to dramatise aesthetic, structural & historical concerns, modernist novelists turned to the male.
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